Wednesday, August 11, 2010

About Time: Australian Studio Tapestry 1975-2005


Image: Kay Lawrence, 'House/Self' 1989, woven tapestry, cotton, wool linen, 165 cm x 135 cm, Purchased with the assistance of the Victorian Regional Galleries Art Foundation, 1990.

Thursday, 12 August 2010
to Sunday, 26 September 2010


The exhibition surveys tapestry created over a thirty year period by leading independent artist-weavers. Major works from Ararat Regional Art Gallery's permanent collection are augmented with selected loans to explore the emergence and evolution of this eminent field of Australian textile practice.

‘About Time’ will tour Victoria with the support of the Regional Exhibitions Touring Initiative (RETI) and will be presented at Horsham Regional Art Gallery and Central Goldfields Art Gallery, Maryborough in 2011


LOCATION: Ararat Regional Art Gallery, Town Hall, Vincent Street, Ararat
PHONE: (03) 5352 2836
EMAIL: gallery@ararat.vic.gov.au

Ararat Gallery

Tuesday, August 10, 2010

Australian Tapestry Workshop's newsletter



Follow the link below for the full PDF of the August 2010 newsletter.
Newsletter

John Wolseley at the ATW


Title: Fire and water-moths, swamps
and lava flows of the Hamilton region,
2010
Artist: John Wolseley
Tapestry size: 200 x 300cm
Weavers: Chris Cochuis, Milly Formby
and Pamela Joyce
Weaving time: 1925 hours
Client and Location: Hamilton Art Gallery,
Victoria

Monday, July 19, 2010

New name for the Victorian Tapestry Workshop



The Victorian Tapestry Workshop has officially changed its name to the Australian Tapestry Workshop. The Name change is a significant development in the history of the workshop, established 34 years ago by Lady Delecombe and Dame Elisabeth Murdoch.

Friday, June 4, 2010

Dialogues: Tapestry and Human/Nature


Dorothy Clews, Linda Wallace, Elizabeth J. Buckley, Katherine Perkins, Elaine Duncan, and Lany Eila

Dialogues: Tapestry and Human/Nature Tapestry 3–2–1 Artists:
New Mexico:
Elizabeth J. Buckley
Lany Eila
Katherine Perkins
Canada:
Elaine Duncan
Linda Wallace
Australia:
Dorothy Clews
Reception: Friday, July 23 6:00 – 8:00 pm Exhibit Dates: July 5 – August 20, 2010
Gallery Hours: Monday–Friday 8:00am – 6:00pm South Broadway Cultural Center Gallery
1025 Broadway, SE Albuquerque, NM 87102

For more details call 311, www.cabq.gov/sbcc
For Accessibility call 505.848.1320, relay NM or 711

Tuesday, May 18, 2010


Call for Entries
Small Tapestry International 2: Passages
Passage is the act of passing from one place, condition, etc. to another, the route one travels. ATA invites artists to use innovative approaches that push the technical or conceptual meaning of the term in their submissions to the ATA's biennial juried small format exhibition.
The American Tapestry Alliance is a not-for-profit, member-supported organization seeking to exhibit the best of contemporary tapestry. The small format exhibition gives artists an opportunity to explore ideas and processes in new ways while preserving the qualities of handwoven tapestry.

Eligibility

Entry to Passages is open to all tapestry artists who design and weave their own tapestries (defined as "hand-woven, weft-faced fabric with discontinuous wefts"), either individually or collaboratively (all assistants shall be named). Multimedia work will be considered as long as the primary medium is tapestry. Entries must be one-of-a-kind and have been completed after January 2009. Artists may submit up to three entries.
Size Restrictions: The size of the tapestry may not exceed a total of 100 square inches (625 square cm) and cannot exceed 20 inches (50 cm) in any one dimension. For example, a piece can be 10 x 10 inches (25 x 25 cm) or the sides can be of different lengths from each other as long as length times width does not exceed 100 square inches and no dimension is longer than 20 inches (50 cm). Three-dimensional pieces may not exceed 10 inches (25 cms) in height, length, or depth. Tapestries must be mounted and/or framed. If the mount or frame is meant to show when hung, that treatment must be shown in the entry image and must be in keeping with the small-format theme. If accepted, the work must arrive ready to hang. Submissions
Image quality may influence the juror's decision. Only completed tapestries will be juried.

Submissions

must be digital. For each entry, submit one jpeg of the entire tapestry and one jpeg of a detail.
Digital image requirements: jpegs saved at 300 dpi and exactly 1000 pixels on the longest side. Save the images with maximum image quality. Each digital image file must be labeled with only the title, e.g. Morning Mist.jpg or Morning Mist detail.jpg. Burn all image files onto a universal CD. Entries will be saved for historical purposes.

Conditions
• Artists are responsible for all shipping and insurance costs to the first venue and for the return
shipping and insurance costs from the final venue.
• Entries not accompanied by all completed forms, digital images and fees cannot be juried.
• Work that differs significantly from the submitted image may be declined for exhibition.
• Complete exhibition instructions will be sent to the accepted artists. Accepted works not completely
prepared for installation may be returned.
• Tapestries must be available through the last scheduled exhibition.

Juror
Kay Lawrence, Australian fiber artist, author and Head of the South Australia School of Art.


Website

Saturday, April 3, 2010

Breathing Spaces- Liz Jeneid and Diana Wood Conroy







BREATHING SPACE
LIZ JENEID
DIANA WOOD CONROY
Wollongong City Gallery 13 march - 25 april 2010

Click on the images above to enlarge. The images are pages from the exhibition brochure.

Thursday, April 1, 2010

Generate - Sturts Gallery, Mittagong, NSW


Generate textiles and mixed media
by Julie Ryder

28 March - 9 May

To be opened by Dr Sharon Peoples,
Lecturer and Cultural Theorist, ANU Canbera
at 11am on Sunday 28 March

Gallery link
Julie Ryder’s exhibition ‘Generate’ explores the life and theories of the 19th century naturalist, Charles Darwin. Drawing inspiration from his five-year voyage in The Beagle, this body of work investigates the impact that this exotic journey had on his ideas of social and natural history. Darwin’s journey and encounters with inhabitants from South America and the South Pacific are referenced through works on tapa cloth, glass and textiles to give insight into his theories on natural selection and origin of species.
‘Generate’ reflects Ryder’s ongoing fascination with nature, as way of understanding our inner and outer worlds, challenging perceptions of chaos and control, perfection and imperfection - questioning concepts of beauty and veracity.